Stage

I have been at home on the stage since the age of nine. What began as just a childhood hobby gradually grew into something much deeper. Thanks to the conservatory and the wonderful teachers I had, playing in bands and orchestras allowed me to experience music from a very unique perspective—right from the inside out. From an early age, I admired the talent of history’s greatest composers, humbly studying their legacy.

Over the years, I’ve been involved in various live performance projects. Early on, these were classical ensembles like wind quintets and trios—such as the Trío Gneis, where we developed a program inspired by Stravinsky’s Pulcinella, adapting the trio sonatas of Domenico Gallo. I also performed with numerous orchestras, including Mannheim’s KKO (Kurpfälzisches Kammerorchester), Orquesta Barbieri, Fundación Excelentia, Orquesta Bankia, and Alma Mahler Rivas.

Eventually, my style evolved toward different types of live shows. This led me to a less academic setting, composing and performing live music for La Tartana Teatro’s play Títeres al sol. More recently, I’ve joined Ana Sánchez-Cano’s project, where we create original music that blends Spanish early and traditional music with electronic textures and our own personal touch.